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Mad as a Hatter

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The term "mad as a hatter" will forever be linked to the madcap milliner in Lewis Carroll's classic children's book, Alice in Wonderland. But few actually know that the true origin of the saying relates to a disease peculiar to the hat making industry in the 1800s. A mercury solution was commonly used during the process of turning fur into felt, which caused the hatters to breathe in the fumes of this highly toxic metal, a situation exacerbated by the poor ventilation in most of the workshops. This led in turn to an accumulation of mercury in the workers' bodies, resulting in symptoms such as trembling (known as "hatters' shakes"), loss of coordination, slurred speech, loosening of teeth, memory loss, depression, irritability and anxiety -- "The Mad Hatter Syndrome." The phrase is still used today to describe the effects of mercury poisoning, albeit from other sources
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Cubist Surrealism

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The idea of the mad artist seems to be supported to some extent by research, as well as the experiences of mental health challenges for many creative people.  The terms I chose for the title – mad and crazy – have been used for much of human history to “explain” creative people, or to discount, disparage and dismiss those who are psychologically different. Not that we may not suffer from very real emotional and mental health issues, but what do psychologists and researchers say about how these issues can relate to creative thinking? A related term is “neurotic” – which cognitive psychologist Scott Barry Kaufman addresses in an article, along with many other topics: “While neuroticism has been associated with a host of negative outcomes (including imposter syndrome, stress, anxiety, impulsivity, depression, and impaired physical health) and even some positive outcomes (such as threat detection and increased vigilance), creative thinking doesn’t appear ...
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I've talked to Saint Augustine

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In 1425, English and Burgundian forces drove off all of Domremy's cattle and burned the town. The same year of this trauma, when Joan was 13, she started hearing "voices." The first of these voices spoke to her from her father's garden, and was accompanied by a blinding white light. Joan claimed that the voices were angels and saints, through whom God was addressing her. She identified the saints as Saint Michael, Saint Catherine and Saint Margaret, all crucial French saints of whom Joan had learned through statuary in the church she attended and through her mother's careful religious instruction. Although she was initially afraid to speak to other people about them–she never mentioned them to the Domremy priests even though she was constantly at confessional–she would claim to talk to these saints and hear their voices regularly. Joan said they always spoke in French. Although frightened of them at first, eventually she came to terms with the vo...
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